Stephen Hartke’s “Blue Studio” NYC Premiere, Spring Updates

Hartke and Cinny

The Aspen Contemporary Ensemble will give Stephen Hartke’s The Blue Studio its New York premiere on Wednesday, June 8th, 2016 at the Whitney Museum of American Art.  The world premiere was given by the Network for New Music in February 2015, performance video here. The work for violin, cello and piano is inspired by Matisse’s depiction of his own studio, called “Studio with goldfish”.  The music gives the sense to the listener that they are visiting the composer’s studio, leafing through each of the five movements as if they were a portfolio of drawings.  Available this Spring from Keiser Classical.

Keiser Classical is issuing new editions of the “Stephen Hartke Piano Album” in two volumes.  Vol. 1: Collected Works covers more than thirty years of the composer’s considerable output of shorter works for solo piano.  The second volume brings together two very distinctive sonatas: Sonata for Solo Piano (1998) composed for and recorded by Vicki Ray on CRI records, and Sonata for Piano Four-Hands (2014), which was written for the piano duet team of Anna Polonsky and Orion Weiss.  Both volumes will be available from Keiser Classical in late March.

Stephen Harkte’s A Brandenburg Autumn (video of 2nd movement) was performed by the Boston Modern Orchestra Project (BMOP) on 1/22/2016 at Jordan Hall in Boston.  Contact our rental department to inquire after performance materials.

Additionally in January, Stephen Hartke completed a residency as Distinguished Composer-in-Residence at University of Miami.  Concerts on 1/30/2016 featured three works: Gradus, The Horse with the Lavender Eye and Wulfstan at the Millennium.  Please contact any preferred dealer or Hal Leonard to order Gradus and The Horse with the Lavender Eye.  Please contact our rental department for materials or more information about Wulfstan at the Millennium.

February 16- 18, Stephen Hartke served as Guest Composer with the Contemporary Music Festival taking place at James Madison University.  This festival included performances of Gradus, Sonata for Piano, Iglesia abandonada, Audistis quia dictum est, and Wulfstan at the Millennium.

On February 27th, conductor Raphael Jimenez conducted Hartke’s Symphony No. 4 at Oberlin Conservatory with soprano Amber Monroe and organist Jonathan Moyer as soloists.  This performance was also available on live webcast.  Contact our rental department for materials or more information.

Stephen will be the Visiting Composer at the University of Southern California March 23-25.  Then he will travel to the University of Utah to act as the Maurice Abravanel Visiting Composer in Residence from March 28-29.  The visit will include a performance of The King of the Sun, available from a preferred dealer or Hal Leonard.

Stephen Hartke is guest composer at the RED NOTE New Music Festival (link to festival website) in Illinois in the first weekend of April, 2016.  Aside from his work with the composition students, four of his works will be performed that weekend: Percolative Processes (link to video) for percussion ensemble, Wir küssen Ihnen tausendmal die Hände: Homage to Mozart for mixed sextet, Grammy award winning Meanwhile: Incidental Music to Imaginary Puppet Plays for mixed sextet, and Pacific Rim (link to video) for full orchestra.  Contact our rental department for more information or materials.

On April 14-15, Stephen will visit Cornell University as Guest Composer.  The event will include performances of “The Blue Studio and Sonata for Piano Four-Hands, both titles that will soon be available from Keiser Classical.

Over the summer, Stephen Hartke will serve as Composer/Mentor for American Composer Orchestra’s (ACO) Whitaker Readings from June 12-15.  He will also join the faculty at Aspen Music School in July/ August, dates to be announced.

On November 21, the Brentano String Quartet will give the world premiere of Stephen Hartke’s From the Fifth Book at the Frankfurter Holzhausenschlosschen in Frankfurt, Germany.

ASTA Journal Reviews Heifetz Wieniawski Edition

S511019 Cover art smThe Amerian String Teacher Association (ASTA) penned a glowing review in the February, 2016 edition of their journal of Henryk Wieniawski’s “Polonaise Brillante No. 2“, edited by Jascha Heifetz’s student Endre Granat as part of the Lauren Keiser Music Publishing Heifetz Collection.  Of this “irresistible work”, the review states, “the editor Granat, provides a new critical edition that he studied from the master.  This urtext edition is based on the composer’s manuscript and the first printed edition (Schott 1875).  If you do not have this piece in your collection, this is the edition to go for.  If you do, it will be helpful to compare with the ones you have.”  This title is currently available from your favorite music retailer or through Hal Leonard.

Joe Derhake named VP of Keiser-Southern Music

Joe office picIn January of 2016, Joe Derhake assumed the role of Vice President of Keiser-Southern Music. Derhake’s over 30 years’ musical experience have led him to a successful career in music publishing since 2004. Beginning as an assistant at MMB Music in St. Louis, he was given charge of the management of the company’s concert music division within two years, and in that role contributed significantly to the publisher’s ultimate revitalization.

With the 2008 purchase of MMB’s catalog by veteran music publisher Lauren Keiser, Derhake was brought on board as General Manager, establishing the fledgling operation of the new firm out of a modest basement office. Keiser Music’s incremental early successes helped pave the way for the acquisition of Southern Music in 2012. Since that time, the continued growth of the Keiser-Southern publishing house has led to the addition of Editorial and Corporate offices in San Antonio and the New York area, with an expanded professional Headquarters in St. Louis.

Keiser-Southern Music’s CEO Lauren Keiser said, “Joe has been with me from Day One in 2008. He has demonstrated excellent skills and is praised by his industry colleagues and peers. He has been running the daily operations of our company. Now that our staff has increased and our size is over four times our original turnover, we are delighted to have Joe as our Vice President.”

Joe comes from a musical family with sing-alongs and informal jam sessions forming his early sensibilities. He began playing keyboard by ear around age 5 and later learned to read music starting on euphonium in the school band. From these roots blossomed a career that has included teaching privately, performing, arranging, and songwriting. His musical influences and experiences span many diverse instrumental and vocal traditions including classical, blues, sacred, pop, folk, jazz and rock. He received a BA in Music from the University of Missouri in St. Louis, Missouri where he lives with his darling wife and two children.

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New David Stock Album Released by BMOP

Stock ConcertosThe Boston Modern Orchestra Project (BMOP) is releasing a new recording of the music of David Stock.  On the BMOP/sound label (1047), the album titled “Concertos” includes: Concierto Cubano with Andres Cardenes playing violin, Oborama featuring all five instruments in the oboe family played by Alex Klein , and Percussion Concerto with soloist Lisa PegherPlease contact our rental department for inquiries or performance materials for any of these works.

David Stock’s final recording collaboration before his untimely death last November, this disc presents the composer closing out the 20th century and forging ahead into the 21st.

David Schiff Two New Work Premieres

Composer David Schiff

Composer David Schiff

David Schiff enjoyed two premieres over Summer 2015 in Portand.  Five Pieces and a Ghost from Debussy’s Children’s Corner for clarinet and string quartet was premiered on July 2 at the Portland Art Museum as part of Chamber Music Northwest summer music, performed by the David Shifrin on clarinet with the Jasper String Quartet.  Also, Nonet No. 2 for Reed Quintet and String Quartet, also part of Chamber Music Northwest, was premiered on July 23, 2015 by the Dover String Quartet and Akropolis Reed Quintet.

Both titles available this Spring from Lauren Keiser Music Publishing.  Please contact the publisher for details.

Peng-Peng Gong Fifth Symphony Premiere

Gong 5th Symphony bowPeng-Peng Gong’s grand Fifth Symphony received its world premiere on 12/13/2015 with the Shanghai Philharmonic, Liang Zhang conducting.  Exploring the tragic, violent and ugly nature of war through World War II and the Second Sino-Japanese War, this large work combines virtually every genre of classical music- symphony, sonata, concerto, aria, art song, grand cantata, and chamber music.  Soloists for the premiere included Xiao Liu on violin, Chu Yi-bing on cello, the composer himself playing piano, soprano Lei Xu, and tenor Jingma Fan.  The Violin Sonata and Violin Concerto sections of the symphony will be available from Lauren Keiser Music Publishing this Spring; email us for details.

David Stock – A Thanksgiving Memorial

David Stock

Composer David Stock (1939-2015)

In this season of Thanksgiving, we honor the life and music of David Stock, who was a leading composer and champion of contemporary music for more than five decades. Stock passed away much too soon from complications arising from a stroke on November 2, 2015 at the age of 76. With his family, friends, and colleagues, we mourn the loss of his formidable voice with sorrow. We offer this humble remembrance, rejoicing that his bright spirit remains among us, embodied in his music.

David Stock (b. June 3, 1939, Pittsburgh) was  Professor Emeritus, Duquesne University, where he conducted the Duquesne Contemporary Ensemble. He was a graduate of the Carnegie Institue (now Carnegie-Mellon University) were he met fellow composer and lifelong colleague Tom McKinley. Stock has been Composer‑in‑Residence of the Pittsburgh Symphony,  the Seattle Symphony and the Pittsburgh Youth Symphony, and is Conductor Laureate of the Pittsburgh New Music Ensemble (PNME), which he founded in 1976. His catalog of works containing over 170 titles includes six symphonies, 13 string quartets, a dozen concerti for various instruments, much chamber  solo, and orchestral music, and work for  dance, theater, TV and film. Stock served as panelist for the National Endowment for the Arts and the Pennsylvania Council on the Arts, and as a host of Da Capo, a weekly series on WQED‑FM in Pittsburgh. In 1992 he was honored with the Creative Achievement Award for Outstanding Artist by the Pittsburgh Cultural Trust.

David Stock was well known as a mentor to young composers through his roles at PNME and Duquesne in addition to his work as a composer. Always generous with his time giving support and advice to up and coming talent, he remained humble and charmed all who knew him with an intelligence and self-deprecating sense of humor despite his many accomplishments. “His willingness to commission the works of young composers made an indelible mark on the new music world,” said his former student Reza Vali, who received his first commission from Mr. Stock in 1984.

David Stock remained prolific throughout his career including this year, when he completed his Thirteenth String Quartet; Wind Power for Oboe, Clarinet, Bass Clarinet, Alto Saxophone and Bassoon; Four of a Kind for Saxophone Quartet; and his Second Chamber Concerto for Trumpet, Two Pianos and Two Percussion.

This December, Louisiana State University will premiere his work Double Take for Alto Saxophone, Percussion and Wind Ensemble featuring saxophonist Griffin Campbell and percussionist Brett Dietz, one of Stock’s former students and longtime friends. The concert will be conducted by Damon Talley and will include a memorial given by Mr. Dietz. David Stock had made plans to attend  this important event before his health began to decline.

Boston Modern Orchestra Project (BMOP) will be releasing an album consisting of three of Stock’s concerti in January 2016. The recording will feature performances by each respective work’s dedicatee, including Concierto Cubano for Violin and String Orchestra (performed by Andres Cardenes), Percussion Concerto (performed by Lisa Pegher), and Oborama (performed by Alex Klein). The recordings are conducted by BMOP’s Music Director, Gil Rose. Further details to be announced.

David Stock’s considerable body of compositions are infused with influences from the ancient past to the most vital present, including Sephardic and Jewish traditions, modern jazz, minimalism, and the full gamut of tonal palettes found in the music of the last century.

Selected Discography
click to listen

Stock American Classics Little MiracleA Little Miracle (2006)
Berlin Radio Orchestra, Seattle Symphony, Gerard Schwarz, Pittsburgh New Music Ensemble, Elizabeth Shammash, Richard Stoltzman, Staphen Burns
Naxos Milken Archive, 8.559422
A Little Miracle, Tekiah, Yerusha, Yizkor

 

Stock American AccentsAmerican Accents (2004)
Seattle Symphony/ Gerard Schwarz
Innova, 586
American Accents
Symphony No. 2
Viola Concerto

 

Schiff Stock Echoes NaxosEchoes (2011)
Seattle Symphony/ Gerard Schwarz
Naxos, 8.559679
Plenty of Horn

 

 

Stock EncoresEncores (2010)
Cuarteto Latinoamericano
Dorian Sono Luminus, DSL-92108
Suenos de Sefarad

 

 

Stock Perc LSUIn Motion: The Percussion Music of David Stock (2011)
LSU Percussion Ensemble/ Brett Dietz, et al
Cat Crisis Records (884501642170)
Breathless, Double Bars, Four Corners, Rosewood Reflections, Shadow Music, Starlight, Strike Swinging, Three Vignettes, U-Turn

 

Stock Mountain RoadsMountain Roads (2001)
Transcontinental Saxophone Quartet
Albany, Troy412
Sax Appeal

 

 

Stock Speaking ExtravagantlySpeaking Extravagantly (2002)
Cuarteto Latinoamericano
Innova 563
Speaking Extravagantly (String Quartet No. 2), String Quartet No. 3, String Quartet No. 4

 

Stock String Quartets 5-6-7String Quartets (2010)
Cuarteto Latinoamericano
Albany, Alb 1188
String Quartets, Nos. 5-7

 

 

Stock Violin Concerto AlbanyViolin Concertos (2009)
Andres Cardenes, Violin; Sinfonia Varsovia/ Ian Hobson
Albany, Troy 1148
Concerto for Violin and Orchestra

 

 

Elizabeth Bloom at the Pittsburgh Post Gazette composed this stirring obituary, showing how beloved Mr. Stock and his music remain in the hearts of so many. David Stock’s works are proudly published by Keiser Classical.